| Gregory Amenoff (USA) |
| A201 |
beacon |
monotype |
1986 |
|
54X40 |
| A202 |
stationII |
monotype |
1987 |
|
40X28 |
| A203 |
stationII |
monotype |
1987 |
|
32.5X42 |
| A204 |
station |
monotype |
1987 |
|
39.5X56 |
| Jennifer Bartlett (USA) |
| BA201 |
In the Garden #40 |
Woodblock/silkscreen (series of four prints) |
1983 |
44/68 |
23×30 |
| Robert Bosman (USA) |
| B201 |
drowning man |
woodcut |
1981 |
26/47 |
30X48 |
| B202 |
Cat’s revenge |
etching |
1983 |
19/40 |
32X43.5 |
| B203 |
Fight |
woodcut |
1982 |
29/36 |
27.5×51 |
| B204 |
double trouble |
woodcut |
1982 |
32/43 |
28X35 |
| Miriam Cahn (Switzerland) |
| CA101 |
den Tieren zu nah,#236 |
charcoal/paper |
1987 |
book |
43X61 cm |
| CA102 |
schlechter Tag |
charcoal/paper |
1986 |
5X |
80X106 cm |
| CA107-108 |
rechts & links |
charcoal/paper |
1987 |
2X |
80X106 cm |
| CA109-114 |
Koepfe |
charcoal/paper |
1986 |
5X |
40X54 cm |
| Louisa Chase (USA) |
| CH201 |
chasm |
woodcut |
1983 |
22&23/30 |
26X30 |
| CH202 |
thicket |
woodcut |
1983 |
6/10 |
30X36 |
| CH203 |
dawn |
woodcut |
1982 |
17/20 |
29X52 |
| CH204 |
red sea |
woodcut |
1983 |
18/25 |
33X39 |
| Francesco Clemente (Italy) |
| C201-2 |
yes/no |
stone litho |
1982 |
2&4/15 |
24X36 |
| C203-4 |
twins |
stone litho |
1982 |
2&3/15 |
30.5X43 |
| C205 |
telemone |
etching |
1981 |
13/23 |
24X62.5 |
| C206 |
not st. girolamo |
etching |
1981 |
4/25 |
24X62.5 |
| C207 |
morning |
color woodcut |
1982 |
13/100 |
17X22 |
| Rainer Dissel (Germany) |
| D101 |
et l’amer |
mm/tar/canvas |
1987 |
|
63X63 |
| D102 |
bad to bone |
mm/canvas |
1987 |
|
79X77 |
| D103 |
tuna promenade |
acrylic/canvas |
1986 |
|
69X84 |
| D104 |
bilder |
acrylic/canvas |
1986 |
|
78.5X98.5 |
| D105 |
leaving |
acrylic/canvas |
1986 |
|
78.5X84 |
| D106 |
tears roll |
acrylic/canvas |
1986 |
|
74X104 |
| D107 |
betw breaks |
mm/paper |
1986 |
|
48X67.5 |
| D108 |
shadow face |
mm/paper |
1986 |
|
48X66 |
| D109 |
so watching |
mm/paper |
1986 |
|
46X61.5 |
| D110 |
yellow dome |
mm/paper |
1986 |
|
46X61 |
| D111 |
Erfuellung |
mm/paper |
1986 |
|
48X65 |
| D112 |
yellow |
mm/paper |
1986 |
|
47X63 |
| D113 |
sapphire sea |
mm/paper |
1985 |
|
35X44 |
| Aaron Fink (USA) |
| Paintings |
| F101 |
face |
oil/paper |
|
1989 |
66X80 inches |
| F102 |
face |
oil/paper |
|
1988 |
48X60 |
| F103 |
dice |
oil/paper |
|
1986 |
55X60 |
| F104 |
grapes/plums |
oil/paper |
|
1988 |
36X74 |
| F105 |
martini |
oil/canvas |
|
1987 |
54X72 |
| F106 |
poker |
oil/canvas |
|
|
68X75 |
| F107 |
spoons |
oil/canvas |
|
1986 |
76X100 |
| F108 |
cup |
oil/canvas |
|
1986 |
76X100 |
| F109 |
tomatoes |
oil/canvas |
|
|
|
| Prints |
| F201 |
dice |
etching, |
21/50 |
1986 |
22X30 |
| F202 |
poker |
stone |
litho,ed.50 |
1989 |
22X30 |
| F203 |
cup |
stone |
litho,ed.50 |
1989 |
16X24 |
| F204 |
yellow face |
stone |
litho,ed.50 |
1989 |
26X34 |
| F205 |
plums |
stone |
litho,ed. 50 |
1989 |
22X30 |
| F206 |
yellow cup |
etching, |
28/50 |
1986 |
22X30 |
| F207 |
perhaps |
portfolio/poetry |
(2X) |
1985 |
24/35 |
| F208 |
head |
etching |
32/35 |
1985 |
29X36.5 |
| F209 |
head/cup |
etching, |
32/35 |
1984 |
29X36.5 |
| F210 |
pink poker |
etching, |
30/35 |
1986 |
29X36.5 |
| F211 |
head/drink |
etching, |
32/35 |
1985 |
29X36.5 |
| F212 |
head |
etching, |
31/35 |
1985 |
29X36.5 |
| F213 |
head/hat |
etching, |
32/35 |
1985 |
29X36.5 |
| F214 |
head/smoke |
etching |
23/35 |
1985 |
29X36.5 |
| F215 |
head |
etching |
|
1985 |
29X36.5 |
| Jedd Garet (USA) |
| G201 |
marble |
litho |
1982 |
41/44 |
36.5X58 |
| G202 |
sphere |
litho |
1982 |
41/45 |
36.5X58 |
| G203 |
column |
litho |
1982 |
42/43 |
36.5X58 |
| G204 |
night boy |
silkscreen |
1983 |
ed:50 |
30X40 |
| G205 |
orange rocks |
silkscreen |
1983 |
ed:50 |
30X40 |
| G206 |
blood |
silkscreen |
1983 |
ed:45 |
21.5X40 |
| G207 |
stump(B/W) |
litho |
1983 |
50/50 |
30X40 |
| G208 |
spiral(B/W) |
litho |
1983 |
50/50 |
30X40 |
| G209 |
column(B/W) |
litho |
1983 |
41/50 |
30X40 |
| Michael Gitlin (USA) |
| GI102 |
dwg |
oil/paper |
1990 |
|
26X35 |
| GI103 |
dwg |
oil/paper |
1990 |
|
22X30 |
| GI104 |
dwg |
oil/paper |
1990 |
|
31X38 |
| GI105 |
r-g dwg |
oil/paper |
1985 |
|
37X49 |
| GI106 |
r-w dwg |
oil/paper |
1987 |
|
37X49 |
| GI107 |
lightning |
oil/paper |
1987 |
2X |
37X49 |
| GI108 |
B/W/Red |
oil/paper |
1987 |
|
37X49 |
| GI109 |
lilac |
oil/paper |
1984 |
|
37X49 |
| GI110 |
curve |
oil/paper |
1987 |
|
37X49 |
| Keith Haring (USA) |
| H201 |
untitled |
silkscreen |
1982 |
23/40 |
26X36 |
| H202 |
untitled |
silkscreen |
1982 |
23/40 |
26X36 |
| H203 |
untitled |
silkscreen |
1982 |
23/40 |
26X36 |
| Sylvia Lark (USA) |
| LA101 |
Baikal |
acrylic/canvas |
|
1985 |
75X89 |
| Robert Longo (USA) |
| L201 |
Men in the City series : "Gretchen" |
lithography |
1983 |
44/45 |
21X37 |
| L202 |
Men in the City series: "Jules" |
lithography |
1983 |
44/45 |
21X37 |
| L203 |
Men in the City series : "Mark" |
lithography |
1983 |
44/45 |
21X37 |
| Juan Martinez (Spain/Switzerland) |
| M101 |
nude |
MM/paper |
1986 |
|
57X83 |
| M102 |
Autoretrato/limites III |
acrylic/paper |
1986 |
|
60X66 |
| M103 |
zona/red |
acrylic/paper |
1986 |
framed |
62.5X82 |
| M104 |
untitled |
mm/paper |
1986 |
|
25.5X38 |
| M105 |
untitled |
mm/paper |
1986 |
|
25.5X38 |
| M106 |
untitled |
mm/paper |
1986 |
|
25.5X38 |
| M107 |
untitled |
mm/paper |
1986 |
|
25.5X38 |
| M108 |
untitled |
mm/paper |
1986 |
|
25.5X38 |
| M201 |
double-face |
litho |
1986 |
ed 25 |
9.5X12 |
| M202 |
Poles noirs |
portfolio/litho |
1988 |
17/55 |
|
| John Okulick (USA) |
| O101 |
multi |
enamel/wood |
|
1987 |
48X116X10 |
| Mimmo Paladino (Italy) |
| P201 |
Necropolis |
etchings/aquatints(5) |
1983-84 |
12/30 |
17X20 |
| P202 |
Terra Tonda Africana |
lino(6) |
1986 |
ed.:38 |
15X20 |
| P203 |
Intermezzo, camera, chiaro |
etchings |
1984 |
ed: 40 |
21X24 |
| P204 |
Daedalus, introibo ad altere dei lino(2) |
etchings |
1984 |
ed:65 |
55X38 |
| P205 |
Lacrimosa portfolio |
Six woodcuts and one linocut frontspiece |
1986 |
nr. 5/22 |
78.5X160 cm |
| P206-8 |
triptych: “Sirene, Vespero, Poeta Occidentale” |
3-part etchings with dry point, sugar lift, open bite, carborundum and gold leaf |
1986 |
ed.28 |
38X78 |
| P209-11 |
triptych:"Gli Alberi che nel Corpo Nascono"; "Gli Uccelli di Notte"; "Essere Portato in Carro", 1989/90 |
etchings with goldleaf |
1989/1990 |
31/50 |
50X70 |
| Bernd Zimmer (Germany) |
| Z101 |
blue man |
pigment/canvas |
1981 |
|
81X100 |
| Z201 |
Lichtsplitter |
woodcuts |
1985 |
8 prints/portfolio 6/35 |
19X25 |
| John Zingraff (Germany) |
| ZI101 |
blue path |
acrylic/canvas |
|
1984 |
73X61.5 |
| Aubusson Tapestries (France) |
| AU101 |
yellow |
wool |
1987 |
|
43X77 |
| AU102 |
yellow |
wool |
1987 |
|
43X77 |
| AU103 |
red |
wool |
1987 |
|
43X87 |